Thursday 31 March 2011

The Black Veil



My friends and loyal readers will recall that I had a review published in a local newspaper back in February (see <Busybody>  for a reminder) for a play I'd seen at Worthing's Connaught Theatre. At the time I told you that I'd keep you in the loop for any future published articles.

The Black Veil should have been a further triumph but due to a cruel twist of fate, the paper I approached was already out of space and subsequently the article went nowhere. 

Not wanting to let my experience or hard work go to waste, here is my review for your delectation:

A  night  of  chills  and  revelations  was  enjoyed  at  the  Connaught  Theatre  during  the  premiere  of  John  Goodrum's  The  Black  Veil. 
Adapted  from  a  short  story  by  Charles  Dickens,  the  play  opens  in  the  19th  century  home  of  a  bumbling  young  doctor  (Nick  Murphy). He  opens  his  door  to  an   unannounced  late  night  visitor  in  the  form  of  an  elderly  lady  (Jen  Holt)  who  is  shrouded  in  mystery  and  a  black  veil.  The  lady  requests  the  doctor's  assistance  in  the  case  of  her  grandson.  She  remains  tight  lipped  about  his  condition  and  despite  the  doctor  insisting  that  he  should  visit  the  patient  that  evening,  she  doesn't  allow  him  to  assess  the  situation  until  the  following  morning.  The  doctor  complies  with  what's  been  asked  of  him  and  arrives  to  find  the  lady  has  not  told  him  the  full  truth.  The  doctor  is  then  enlisted  to  help  with  the  woman's  sinister  plans  and  revelations  abound  as  the  mystery  begins  to  unravel.  

The  Black  Veil  put  a  sparse  set  and  an  eerie  mix  of  sounds  and  music  to  good  effect  and  the  cast  made  a  shining  debut  in  the  first  night  of  the  play.  Jen  Holt  in  particular  held  my  attention,  despite  being  hidden  under  a  heavy  veil  for  most  of  the  performance,   while  the  audience  in  the  packed  theatre  seemed  as  unsettled  as  I  was  with  the  introduction  of  imposing  villain,  Luke  (Nick  Barclay).  The  play  also  had  unexpected  moments  of  comedy  which  cleverly  lightened  the  more  tense  scenes.

There you have it. I hope you enjoyed the review and should you find that The Black Veil is showing anywhere near you, I hope you will venture to the theatre to see it.

Thursday 10 March 2011

Don’t Ask What’s In It

My two loyal readers will recall that I recently used my blog as a springboard for another writer to showcase one of their short stories. This was great for them as it gave them confidence to write more and allow others to see their work. It was also great for me as the number of my viewers went up considerably! So much so, that I am pleased to announce that I am doing it again!
This time I'm handing over to Marlon...


Don’t Ask What’s In It

Marlon Malady:  The lone voice of reason in an insane world
  “I wonder where the meat comes from?” I ask my girlfriend, Porschia.
  “What?” she asks, with that “Oh, here we go again,” look on her face.
  “I wonder where the meat comes from?” I repeat.
  “You know where it comes from,” she retorts.  “Cows, pigs and sheep. Now come on.”
  Usually I would let this go, but as my mathematical mind spins through the detail I find I can’t.
  “No, I mean where does it all come from?” I continue.
  “Why is this so important now?” Porschia asks. “Come on, I want to get back to watch TV Burp.”
  Because think about it for a sec,” I begin. “How many pieces of meat must be sold here in a week?”
  “I don’t know,” says Porschia as she swivels her weight on one leg in quiet exasperation.  “A thousand?”
  “I would think probably more like ten thousand bearing in mind the shoppers that come through that door.” I retort, gleefully.
  “So?” she asks.
  “Well, there are four supermarkets in this area alone.  If they all sell about ten thousand chops a week, that makes forty thousand chops a week. That would be over two million a year in this area alone. Factor in other supermarkets across the country and there simply wouldn’t be enough meat to go round.”
  Porschia furrows her brow and picks up a big piece of rump.
  “What’s that then?” she asks pointing at the picture of a guy, between thirty and forty-five, wearing an Arran sweater, ruddy-faced and smiling as the slight stubble on his chin catches the sunlight as he poses outdoors.  Next to the picture it states that “All our meat is sourced from local farmers”.
  “That doesn’t mean anything,” I reply. “He looks like some kind of farmer model.”
  “Farmer model?” she asks.
  “Yeah, you know,” I come back at her. “Some guy who gets paid to look like a farmer should look.”
  She looks at me like I’ve gone completely Tonto but I’ve got the bit between my teeth now and I am not about to let go. As we stand there on the brink of an argument a young guy of twenty walks by, his defeated stoop and pale complexion seeming even more defeated in his harshly coloured supermarket uniform.  I dart forward and stand in front of him.
  “Excuse me!” I shout.  He has fear in his eyes as I stop him in the aisle.  I see Porschia role her eyes and shake her head as I press on.  “Where does all the meat come from?”
  “All our meat is sourced from local farmers.” he mumbles back.
  “Really?” I question him. “Surely there aren’t that many local farms around here.  This is more of an industrial area is it not?”
  “I don’t know, I just work here.” he says.  
  “Leave it, Marlon.” Porschia comments.  People are now starting to look at us but I really feel like making my point now.
  “Can I speak to your supervisor, please?” I ask the young man.
  “Okay.” he says and wanders off, relieved that no more difficult questions are about to be propelled his way.  A few minutes later a stodgy middle-aged man comes our way in a pretend butchers outfit.
  “Can I help you, Sir?” he asks as if the twenty year old hadn’t briefed him.
  “Where does all the meat come from?” I ask, yet again.
  “All our meat is sourced from local farmers.” he states cheerfully.  It’s becoming apparent that something’s up from the uniform way that they answer. I’m not happy.
  “Can I speak to your manager, please?” I say, dryly.
  “Oh my God!  MARLON!” shouts Porschia.
  One second, honey,” I say before continuing, “I want to know where the meat comes from and I want to know now.”
  “Can I help you, Sir?” a voice comes back. I turn and a tall thin man looking like a modern Clark Gable glares back through eyes so dark you would swear they were black.
  “I want to know where the meat comes from?” I say.
  “Really?” he responds.
  “Really.” I retort.
  “Come with me, please.” he says.  I turn and flash a satisfied smile at Porschia as we walk into the back of the store. As the elegantly suited manager strides purposefully through the backroom I find I am, as always, taken aback by just how damn big these places are.  Huge aircraft hangars piled high from floor to ceiling with everything from spices to floor cleaner.  Through the aisles we wander to an elevator with one of those grilled doors you expect to see in old hotels.  He pulls it back and gestures us inside. The manager presses a button and we go down what feels like five or six floors underground. The concrete above feels quite oppressive now as we trundle ever downward. Part of me expects to see some kind of underground bunker complete with missiles and a maniac stroking a white cat.
  The lift stops.
  The manager pulls back the grill and Porschia and I walk out to a sight that will haunt me till I die. In a space the length of three football fields are cages; hundreds and hundreds of cages and inside are people.
  “You asked.” said Clark Gable, glibly.
  Porschia and I wander over. Most people simply sit there, a defeated look on their faces; some are eating, a couple some way back are having sex, but nobody cares.  Most people are just staring at a number of big-screen TV’s watching some standardized American import.
  “This is barbaric.” says Porschia. I want to agree but all I can do is stare at the human spectacle before me.
  “It’s survival,” the manager remarks. “Supplies are diminishing, grazing land is decreasing. It is natural in such circumstances to make the best use of the resources we do have.”
  “Where do they come from?” I ask. “Are they homeless…drunks…strays?”
  “We don’t feed our customers any old crap,” says the manager with a chuckle as we stare at a section of the community simply forgotten by family and friends, “And we certainly don’t go looking for it.”
  “Where does it come from then?” asks Porschia.
  “Usually,” the manager continues, “It comes to us!”
  There’s a huge clank behind us as three walls of a cage seal magnetically attaching us to the other poor saps here.  Instinctively we run forward and grab the bars.  The electric shock jolts us back and throws us both hard to the concrete floor.
  “There are always some idiots who have to ask questions,” begins the manager, “Always someone who has to pry that little bit more.  As long as human curiosity drives people to ask questions there’ll never be a shortage of fresh meat.”
  “You can’t get away with this!” I shout. “Human meat doesn’t taste like lamb or pork or beef!”
  “You’re right,” the manager replies with a smile. “Human meat is virtually tasteless. We add the flavours to it, to make it taste the way it does.  That’s the joke you see.  It isn’t that all our meat is sourced locally…it’s that all our meat is SAUCED locally. Goodbye.”
  Porschia and I scream at him defiantly as he leaves, but both of us realize it’s a futile gesture.  I shout at those already here why they didn’t warn us and one man with sunken eyes and death in his voice looks at me and says “The more people that come, the longer some of us might live.”
  Porschia starts screaming at me that it’s all my fault and I’m a stupid bastard; as I look around at faces void of hope I find it hard to disagree with her.
  That’s what I would’ve wanted my last column to be. That’s the story I would’ve told, but I can’t.  Instead I’m stuck in this cage without hope of parole. The only destiny that awaits me is an appointment with a cleaver. Porschia used to cry every day, but after the first couple of months we realised how much of a waste of energy that was. Every other week new faces come in; every other week old faces go.  The big screen TV’s show CSI, NCIS and Lost, mixed with a blend of VH1 and the Box. We don’t know what’s going on in the outside world and clearly no one knows what’s going on in here.  
  It’s not all bad news though.  We’re six months in now, and Porschia and I have been asked if we want to take part in a breeding program as they’re preparing for the next year’s lambing season. We weren’t thrilled at first but at least we’d survive a little bit longer, although it won’t be much of a life for the kids.
  But that isn’t the worst part, that isn’t the thing that keeps me awake at night or affects my appetite. No, the worst thing is…WE’RE BOTH VEGETARIANS!
  “I wonder where the meat comes from?” said Norman Russell.
  “Who cares!” yelled his wife. “Just pick up ten chops and get a move on!  It’s our Come Dine With Me night, tonight!” 
  Norman picked up the chops and threw them on the trolley and moved on in delicious oblivion.
So there you have it. A creepy tale to accompany your weekly shop. The whole time I was reading this I was thinking, "I'm really glad I eat more Quorn than meat these days." Until next time readers, I will leave you with the old Crimewatch farewell, "Don't have nightmares, do sleep well" but if your neighbours don't come back from their trip to the supermarket, you might want to call the cops!